الفهرس الالي للمكتبة المركزية بجامعة عبد الحميد بن باديس - مستغانم

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James Joyce, A portrait of the artist as a young man / John Blades

Public ISBD Titre : James Joyce, A portrait of the artist as a young man Type de document : texte imprimé Auteurs : John Blades, Auteur Editeur : London, England : Penguin Books Année de publication : 1991 Collection : Penguin critical studies Importance : 196 p. Présentation : Couv.ill.en coul. Format : 20*13 cm. ISBN/ISSN/EAN : 978-0-14-077174-9 Langues : Anglais (eng) Mots-clés : James joyce and ireland  a commentary on the novel and joyce's thermes  icarus allsorts:characterization  the spell of arms and voices  the method in his madness:the narrator  language and style in a portrait Résumé : “I will not serve,” vows Dedalus, “that in which I no longer believe…and I will try to express myself in some mode of life or art as freely as I can.” Likening himself to God, Dedalus notes that the artist “remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.” Joyce’s rendering of the impressions of childhood broke ground in the use of language. “He took on the almost infinite English language,” Jorge Luis Borges said once. “He wrote in a language invented by himself....Joyce brought a new music to English.” A bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel. James Joyce, A portrait of the artist as a young man [texte imprimé] / John Blades, Auteur . - London, England : Penguin Books, 1991 . - 196 p. : Couv.ill.en coul. ; 20*13 cm.. - (Penguin critical studies) . ISBN : 978-0-14-077174-9 Langues : Anglais (eng) Mots-clés : James joyce and ireland  a commentary on the novel and joyce's thermes  icarus allsorts:characterization  the spell of arms and voices  the method in his madness:the narrator  language and style in a portrait Résumé : “I will not serve,” vows Dedalus, “that in which I no longer believe…and I will try to express myself in some mode of life or art as freely as I can.” Likening himself to God, Dedalus notes that the artist “remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.” Joyce’s rendering of the impressions of childhood broke ground in the use of language. “He took on the almost infinite English language,” Jorge Luis Borges said once. “He wrote in a language invented by himself....Joyce brought a new music to English.” A bold literary experiment, this classic has had a huge and lasting influence on the contemporary novel.

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