| Titre : |
Stanley Kubrick : un poète visuel, 1928-1999 |
| Type de document : |
texte imprimé |
| Auteurs : |
Paul Duncan (1964-....), Editeur scientifique |
| Editeur : |
Taschen |
| Année de publication : |
cop. 2008 |
| Collection : |
Filmographie complète |
| Importance : |
1 vol. (96 p.) |
| Présentation : |
nombreuses ill. en noir et en coul., couv. ill. en coul. |
| Format : |
23 cm |
| ISBN/ISSN/EAN : |
978-3-8228-3114-4 |
| Prix : |
6,99 EUR |
| Note générale : |
Filmogr. p. 94-95. Bibliogr. et webliogr. p. 96 |
| Langues : |
Français (fre) Langues originales : Anglais (eng) |
| Index. décimale : |
791.4 |
| Résumé : |
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. |
Stanley Kubrick : un poète visuel, 1928-1999 [texte imprimé] / Paul Duncan (1964-....), Editeur scientifique . - [S.l.] : Taschen, cop. 2008 . - 1 vol. (96 p.) : nombreuses ill. en noir et en coul., couv. ill. en coul. ; 23 cm. - ( Filmographie complète) . ISBN : 978-3-8228-3114-4 : 6,99 EUR Filmogr. p. 94-95. Bibliogr. et webliogr. p. 96 Langues : Français ( fre) Langues originales : Anglais ( eng)
| Index. décimale : |
791.4 |
| Résumé : |
In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: “It’s not a message I ever intended to convey in words. 2001 is a nonverbal experience… I tried to create a visual experience, one that directly penetrates the subconscious with an emotional and philosophic content.”
Now available as part of our Bibliotheca Universalis series, The Stanley Kubrick Archives borrows from the director’s philosophy. From the opening sequence of Killer’s Kiss to the final frames of Eyes Wide Shut, it allows the masterful visuals of Kubrick’s films to impress through a sequence of compelling, mesmerizing stills. We uncover Kubrick’s creative process through fascinating archival material, including set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. |
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Stanley Kubrick