| Titre : |
Lucio Fontana : 1899-1968 ; un fait nouveau en sculpture |
| Type de document : |
texte imprimé |
| Auteurs : |
Barbara Hess (1964-....), Auteur ; Michèle Schreyer, Traducteur |
| Editeur : |
Taschen |
| Année de publication : |
cop. 2006 |
| Collection : |
La Petite collection |
| Importance : |
1 vol. (96 p.) |
| Présentation : |
ill. en noir et en coul., couv. ill. |
| Format : |
23 cm |
| ISBN/ISSN/EAN : |
978-3-8228-4917-0 |
| Prix : |
6,99 EUR |
| Note générale : |
Bibliogr. p. 96 |
| Langues : |
Français (fre) Langues originales : Allemand (ger) |
| Mots-clés : |
lucio, fontana, ma découverte, gout, influences, spatialisme, artistique, reincarnation.. |
| Résumé : |
Concepts in space: Artworks as visual explanations of ideas Italian artist Lucio Fontana tore apart the modern art establishment—literally. Trained initially as a sculptor, Fontana (1899-1968) blurred the lines between painting and sculpture by creating works that combined both form and color in a spatial context, most famously exemplified by his slashed canvases of the 1950s and 60s. Fontana`s work was truly conceptual, in that the ideas he wanted to express were more important than the actual work itself; with titles like Concetto Spaziale (Spatial Concept) and Scultura Spaziale (Spatial Sculpture), his pieces served as visual explanations of his ideas. From his early work in collaborating with architects through his years in Buenos Aires (where, in the mid-1940s, he published the famous "White Manifesto" and "Technical Manifesto of Spatialism," among others), his experimental light installations of the early 1950s, and his later experiments with various media, this book covers the entire career of Italy`s pioneering abstract artist. About the Series:
Each book in TASCHEN’s Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions |
Lucio Fontana : 1899-1968 ; un fait nouveau en sculpture [texte imprimé] / Barbara Hess (1964-....), Auteur ; Michèle Schreyer, Traducteur . - [S.l.] : Taschen, cop. 2006 . - 1 vol. (96 p.) : ill. en noir et en coul., couv. ill. ; 23 cm. - ( La Petite collection) . ISBN : 978-3-8228-4917-0 : 6,99 EUR Bibliogr. p. 96 Langues : Français ( fre) Langues originales : Allemand ( ger)
| Mots-clés : |
lucio, fontana, ma découverte, gout, influences, spatialisme, artistique, reincarnation.. |
| Résumé : |
Concepts in space: Artworks as visual explanations of ideas Italian artist Lucio Fontana tore apart the modern art establishment—literally. Trained initially as a sculptor, Fontana (1899-1968) blurred the lines between painting and sculpture by creating works that combined both form and color in a spatial context, most famously exemplified by his slashed canvases of the 1950s and 60s. Fontana`s work was truly conceptual, in that the ideas he wanted to express were more important than the actual work itself; with titles like Concetto Spaziale (Spatial Concept) and Scultura Spaziale (Spatial Sculpture), his pieces served as visual explanations of his ideas. From his early work in collaborating with architects through his years in Buenos Aires (where, in the mid-1940s, he published the famous "White Manifesto" and "Technical Manifesto of Spatialism," among others), his experimental light installations of the early 1950s, and his later experiments with various media, this book covers the entire career of Italy`s pioneering abstract artist. About the Series:
Each book in TASCHEN’s Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions |
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Lucio Fontana